(male #1) You don't make up for your sins in church.
You do it in the streets. You do it at home.
The rest is bullshit and you know it.
[The Ronettes singing "Be My Baby"]
♪ The night we met I knew I needed you so ♪
♪ And if I had the chance I'd never let you go ♪
♪ So won't you say you love me? ♪
♪ I'll make you so proud of me ♪
♪ We'll make 'em turn their heads ♪
♪ Every place we go ♪
♪ So won't you please ♪
♪ Be my little baby ♪
♪ Say you'll be my darlin' ♪
♪ Be my baby now ♪
♪ Whoa oh oh oh ♪
♪ I'll make you happy baby ♪
♪ Just wait and see ♪
♪ For every kiss you give me ♪
♪ I'll give you three ♪
♪ Oh since the day I saw you ♪
♪ I have been waiting for you ♪
♪ You know I will adore you ♪
♪ Till eternity ♪
♪ So won't you be ♪
♪ Be my little baby ♪
♪ Say you'll be my darlin' ♪
♪ Be my baby now ♪
♪ Oh oh oh oh ♪
♪ Be my little baby ♪
♪ Oh oh oh oh ♪
♪ Whoa oh oh oh ♪
♪ Oh oh oh oh ♪
♪ Be my.. ♪♪
[instrumental music]
[indistinct chatter]
Hey, what the hell is this?
Not in my fucking place!
[crash]
Keep out of my place! I know your face!
And you, scumbag!
Meg, I told you about passing that shit in my place.
I-I didn't do nothing!
George, what do you do here?
You're supposed to be the bouncer.
- I didn't do nothin'. - That's it!
You didn't do nothin'!
Come on, hurry up with that shit, huh?
(male #2) 'What the fuck!'
[grunts]
- What's this? More shit? - No, that ain't shit.
That's a German lens. That's..
I've got two shipments of those. That's good stuff.
Can't use it.
What do you mean you can't use it?
That's a, that's a telescopic one.
- That's the best one they make. - It's not German, it's Jap.
This is an adaptor. It's not a lens.
You bought two shipments of Jap adaptors, not lenses.
Jap adaptors?
[explosion]
[siren wailing]
Lord, I'm not worthy to eat your flesh
not worthy to drink your blood.
Not worthy to drink your blood.
(male #3) Okay. Okay, I just come out of confession, right?
(male #4) Right.
(male #3) And the priest gives me the usual penance, right.
Ten Hail Marys, ten Our Fathers
ten whatever.
Now you know that next week I'm gonna come back
and he's gonna just give me another ten Hail Marys
and another ten Our Fathers and..
I mean, you know how I feel about that shit.
Those things, th-they don't mean anything to me.
They're just words.
Now that might be okay for the others
but it just doesn't work for me.
I mean, if I do something wrong
I just wanna pay for it my way.
So I do my own penance for my own sins.
What do you say, huh?
(male #4) That it's all bullshit except the pain, right?
The pain of hell.
The burn from a lighted match increased a million times.
Infinite.
(male #5) Now you don't fuck around with the infinite.
There's no way you do that.
The pain in hell has two sides.
The kind you can touch with your hand
the kind you can feel in your heart
your soul, the spiritual side.
And you know, the worst of the two
is the spiritual.
[The Rolling Stones singing "Tell Me"]
♪ I ♪
♪ Want you back again ♪
♪ I ♪
♪ Want your love again ♪
♪ I know you find it hard ♪
♪ To reason with me ♪
♪ But this time it's different ♪
♪ Darling you'll see ♪
♪ You gotta tell me you're coming back to me ♪
♪ You ♪
♪ Said we're through before ♪
♪ You ♪
♪ Walked out on me before ♪
♪ I tried to tell you ♪
♪ But you didn't want to know ♪
- Hey, Charlie, you're crazy. - The priest taught me that.
Terrific. You know any other tricks?
(Charlie) 'Yeah, but I'll show 'em to you'
'when I learn this one.'
♪ You gotta tell me you're coming back to me ♪
♪ You gotta tell me you're coming back to me.. ♪
(Charlie) You know something? She is really good-looking.
I gotta say that again. She is really good-looking.
But she's black.
You can see that real plain, right?
Well, look, there's not much of a difference anyway, is there?
Well, is there?
♪ I hear the knock on my door ♪
♪ That never comes ♪♪
- Oh, great. - 'Great.'
Hey, Marlboro?
For these prices, Charlie, you shouldn't complain.
That's the best I could do. Maybe next week I can do better.
Okay, okay.
If you can't smoke 'em, maybe you can sell 'em.
- No, I'll be okay for a week. - 'Oh, bless you.'
- You seen Johnny Boy? - 'No.'
He's supposed to be here.
But who knows what goes on in that kid's head, right?
I'd like to know, Charlie.
I think the kid's trying to duck me.
Don't you think you ought to care a little more
about Johnny's payments to me?
I think you should. You know that.
Michael, Michael, nobody's out to screw you.
Hey, I guarantee that.
Well, you're not looking at it from my side.
You vouched for the kid. What happens if he doesn't pay?
I gotta collect from you? I don't wanna do that.
You're right.
I made a deal with him, not you, right?
You're right, Mike. I'm not going to, uh, pay his debts.
Believe me. I'll talk to him. I'll straighten him out.
Straighten him out? The bum owes money left and right.
Don't worry, Michael.
Hey! Hey, come on!
[indistinct shouting]
- Get out of here, you bum! - Come on.
- Come on, sit down. - Hey, take it easy.
What's the matter with you? Everybody's friends here, right?
Hey, hold on. Miss, miss, hold..
Come on, sit down.
You know, Charlie, I don't understand you.
What?
I don't understand why you hang around with a punk kid.
I mean, he's the biggest jerk-off around.
Don't say that, Michael. Don't call him that, will ya?
- What's the matter? - It's..
Family things. It's complicated. I can't explain it, alright?
[clears throat] But really, he's a good kid.
Alright, sure.
- I'll see you. - Right, later. Be well.
♪ Yesterday she made a vow ♪♪
[whistling]
[laughs]
Come on, girls. Give her your coats. Give her your coats.
If you don't mind, uh, young lady
I would like to check these.
[laughing]
But I'm keeping my skin pants.
- Hey! - Hey, here he is.
Hey. Hey. Whoo!
Are those the shorts with the hearts on 'em?
Girls, after you.
(Charlie) Alright, okay. Thanks a lot, Lord.
Thanks a lot for opening my eyes.
We talk about penance and you send this through the door.
Well, we play by your rules, don't we?
Well, don't we?
[The Rolling Stones singing "Jumpin' Jack Flash"]
♪ One two ♪
♪ I was born in a crossfire hurricane ♪
♪ And I howled at the morning driving rain ♪
♪ But it's alright now in fact it's a gas ♪
♪ But it's alright ♪
♪ I'm Jumpin' Jack Flash it's a gas gas gas ♪♪
- Hey. Giovannino. - Hey.
- Charlie, how are you? - Alright. How are you?
I want you to meet two beautiful young ladies here.
This is my good friend, Charlie.
This is my good friend, Tony. He owns the joint.
This is, uh.. What's your name again, darlin'?
- Sarah. - Sarah. Sarah Kline, right?
- Yes. - Sarah Kline.
'This is Tony. And this is..'
- Wh-what's your name? - Heather.
Heather. Heather Weintraub, right?
[all laughing]
- I met them in the Village. - 'Bohemian?'
Yeah, you know, at the Cafe Bizarre.
[laughing]
So what do youse want to drink, girls?
Tequila.
- You got tequila? - No.
Never mind, never mind. Listen..
Listen, have a 7 and 7. It's good for both of youse.
Give, uh, Tony, give yourself a drink.
Give Charlie and me a J&B, will you, please?
- 'What's this?' - What's what?
- This. - What?
That. What does this look like, huh?
- What? - Where'd you get this?
- What? What? - Where did you get this?
- This. - What?
- 'This?' - Yeah. In the back, come on.
- 'Hey, hey, hey.' - Come on.
What are you doing?
Hey, hey, hey, you're making me look bad, Charlie.
[chuckles] In front of the girls over here.
Oh, excuse me. Hey, I didn't mean to be rude, girls.
Uh, Mr. Civello, I'd like your presence in the back room
if you got a moment or two.
What, you mean you request my presence
for a moment or two in the back room?
I most certainly do.
Well, uh, after you.
- No, after you. - No, after you.
- Hey, Mr. Civello, after you. - No, after you.
- In the back! - Okay.
Tony, give the, uh, masterpiece whatever they want.
Hey, girls. Hey, girls, excuse me.
Hey, uh, Tony, keep an eye on these, uh, nice girls here.
Don't let none of the vultures look, okay?
What are you doing?
What do you mean what am I doing?
- What are you doing to me, huh? - What do you mean?
Michael's been on my back all night. He's bothering me.
Why didn't you make your payment last Tuesday?
What do you mean? I made my payment last Tuesday.
- What are you talking about? - You paid him last week?
Yeah, I paid him last week. Well, what did he say?
He said I didn't pay him? He's a fucking liar. Where is he?
- You paid him? - Yeah, I paid him.
- Last week? - Yeah!
- Last Tuesday? - Yeah.
- Charlie, you don't know-- - He's here.
- Where? - Out front.
- He's here? - Yeah.
- So what do I care? - Alright, let me go get him.
We'll straighten this thing out, alright?
Hey, wait a minute, wait a minute, Charlie.
- What? - Well, you're right.
- I'm right? - Yeah, was it last Tuesday?
Yeah, that's the Tuesday that was last week
that's before the one that's about to come up.
My mistake, I'm sorry. Forgive me.
It was last week, the week before that I was thinking of.
- Oh, yeah. It was, huh? - That's right. That's right.
What's the matter with you, Johnny?
You can't go around bullshitting people that way.
You give your word about something, you gotta keep it.
Hey, you don't know what happened to me?
I'm so depressed about other things.
I can't worry about payments. You know what I mean?
I come home last Tuesday. I had my money in cash, you know?
Blah-blah, bing-bing. Coming home, I ran into Jimmy Sparks.
I owe Jimmy Sparks 700, like, for four months.
I gotta pay the guy. He lives in my building.
He hangs out across the street. I gotta pay the guy, right?
- Yeah. - So what happened?
I had to give some to my mother
and then I was wound up with 25 at the end of the week.
And then what happened today, you ain't gonna believe
'cause it's just incredible, I-I can't believe it myself.
- What? - I was in a game.
I was ahead, like, $600, $700, right?
- You gotta be kidding me? - Yeah, on Esther Street.
- You know, you know Joey Clams? - Yeah.
Joey Scala, yeah.
- I know him too, yeah. - No, Joey Scala is Joey Clams.
- Right. - Right.
- They're the same person. - Yeah.
- Hey. - Hey.
So I was in there playing Bankers and Brokers.
All of a sudden, I'm ahead, like, $600, $700.
I'm really winning. All of a sudden, some kid walks in
and the kid yells that the bulls are coming, right?
Now that the cops are coming, everybody runs away.
I grab all the money. I go in.
It's an excuse, like, to get away.
You know, and I'd give everybody the money back later.
And that way I'd get out. I don't have to get into the game
and get a losing streak and all that.
What happens, I come out in the yard
I don't know this buildin'.
I don't know nothin'. I couldn't get out.
It was like a box.
Big, like this. So I gotta go back in.
Not only do I go back in
but this kid says it's a false alarm.
Imagine that? I wanted to kill this fucking kid.
I mean, I want to.. Ugh!
I was so crazy. I mean, I want to kill this kid.
Meanwhile, I gotta get back in the game.
Bing-bing-bing. I lose $400.
Meanwhile, Frankie Bones is over there, Frankie Bones.
I owe him 1300 for, like, seven, eight months already.
He's after me. I can't even walk on Esther Street
without ducking that guy.
He's-he's at the, he's, like, he's waiting for me.
Like, I can't move, you know, and he sees
that I'm losing, right?
So, like, he's waiting for me here.
So he's tapping me on the shoulder. He's saying, "Hey."
Tapping me like this. Like a hawk.
"Hey, uh, get it up. You're losin' now. Give me some money."
I says, "Hey, Frankie, come on, you know, uh..
"You know, give me a break over here.
"Let me win some back. You know, I got debts.
I mean, I'm in a big hole."
He says, "Never mind. Give me the money."
I said, "O-okay, Frankie."
So I gave him 200. Meanwhile, I lost the deal.
I go outside, I'm a little depressed now.
Anyway, I'm gonna cut the story short
'cause I know you don't wanna hear all this.
And I know, I know, I know.. But I'm gonna..
To make a, to make a long story short.
Anyway, I went to Al Kaplan.
Got a, got a new tie and got this shirt.
You like the shirt? These are nice. This tie--
Hey, Michael doesn't care if you're depressed.
What is he, your priest? What are you coming out
going shopping when you owe somebody money, Johnny?
- That ain't right. - What are you talking--
- How much you got there? - I'm gonna pay him next week--
I know, you're gonna, you're gonna, you're gonna.
You don't do nothing. How much you got there?
I got about, I don't know, I got another $40.
What are you doing?
I got about $40 there. That's all.
What? What are you doing?
Now for lying, I'm holding on to this
until next week till you make the next payment.
What are you talking about? It's a little more than 40?
- Hey, it's a mistake. - Yeah, it's a mistake.
Hey, listen, I swear to my mother
you come with me next Tuesday
I sign the paycheck over to you, Charlie.
I swear to my mother. Swear to Christ, okay?
Come on, you come, it's $110. You give it to Michael.
Come on, give me some money. We got those two beautiful girls
out there. We're gonna get laid.
Madone, I met those, those chicks
in t-that Cafe Bizarre. Madone!
They were fuckin' around with these two other guys..
That one, Weintraub, is very nice. Very nice.
- I wanna bang her like crazy. - Here.
- Come on. - That's enough for you.
Hey, come on, give me another five. Come on.
Which one do you want?
Come on.. You're leavin' me with nothin'.
- We gotta go eat Chinks? - That's it.
Now you better make do for this for the week.
- Alright. - Which one do you want?
Which one do you want? I want the Weintraub one.
She's nice. I like that one.
She the one on the left?
Nah, she's the one.. What, your left or my left?
We were both standing the same way.
Well, I don't know. It don't matter which one..
Hey, girls, we had a little, uh, business to talk over.
Everything is okay now. Excuse me for a minute.
Hey, Tony, you think maybe you could put this on the tab?
Because, uh, something happened before, you know
and you'll be, uh, you'll be doing me a favor, you know?
- Huh? - Big tab or little tab?
Well, don't you think it's better that you should put it
on the small tab so that it balances out with the big tab?
- Oh, so things even out? - Yeah, right.
Joey, where'd you get those, uh, beads?
How about me, John? I don't get a drink?
- Hey, Mikey. - Long time no see.
If you don't get a drink, make it.
Does the, does a bear shit in the woods over here?
[laughs] Go ahead.
Come on, give him a double. Tony, give him a double.
- Long time no see. - I know what you're gonna say.
But don't say it because number one
I'm not paying for these drinks. They're on the tab.
Number two, I'm gonna see you this Tuesday, payday.
I swear on my mother. Not my mother but Jesus Christ
and, uh, okay?
Alright, I just wanna tell you to stay on top of it, Johnny.
Yeah, I will, I will.
We don't want it to get out of hand.
Don't worry, it ain't gonna get out of hand.
- Don't worry, Mike. - I'm doing it for you.
- Yeah, come on, have a drink. - Okay.
(Charlie) Gentlemen.
- The queen. - The queen.
- Queen. - Queen.
Ta-ta-da!
- You know what the queen said? - What?
"If I had balls, I'd be the king."
- Ooh. - Ooh.
T-sshh.
[operatic singing]
(male #6) 'Hey, they told me you were here and you're here.'
- Hey. - How are you?
- How's the classes going? - Okay, Oscar.
How's everything going with you?
I was in the basement fixing the freezer.
Would you believe that?
Charlie, you're a good boy.
Will you tell your uncle I have nothing?
I can't make this week's payment.
[sighs] Listen, you talk to Giovanni, not me.
Then I should hand this place over to him, you know that.
I don't need this aggravation.
Oh, he'd rather have the loan paid. You know that, uh, Oscar.
Your uncle's a good man. I'm not going to stick him.
He either gets the money or he gets the place.
Right now, it looks like he's getting the place.
And you tell me why I should care.
I got a partner who is a bum. He disappears.
I don't understand this. Where's Groppi?
I should know? His wife don't even know.
And if he don't give a damn, why should I kill myself?
[dishes clattering]
Thank you very much, Natalie!
[band music]
[speaking in foreign language]
How are you feeling?
[speaking in foreign language]
Um, about that shooting last night, I was there, uncle.
No, you were not.
Ah, yes, I must have confused it with something else.
- Yes, you did. - Si.
So?
About Oscar, I think he's putting on this act
'about the restaurant being in bad shape and all that.'
He says he can't make the payments.
He says his partner Groppi's disappeared.
What should I do?
Don't do anything. His business is bad.
Can I help?
Yeah, you can help by waiting.
'Don't be impatient.'
- 'You like restaurants?' - Yes, sure.
(Michael) 'Oh, you know what I do have?'
'I got a good buy on toilet paper now.'
[Tony chuckles] Leave me alone. Leave me alone.
What kind of toilet paper? I, I get Scott's.
(Michael) I got, no, I got toilet paper coming from the PX, the army.
Well, now you're stealing from the army, eh?
I can get it cheap. You want--
Stealing from the American Army.
- Army of the United States of-- - Hey, you sell firecrackers?
What? Come here. What do you want?
- Firecrackers. - No, that's illegal.
We just went down to Chinatown. They don't have any stuff.
Yo, keep away from those Chinks.
- All they have is shit. - We have $40.
Well, why didn't you say so? For $40--
Well, we don't know if we wanna spend all $40.
- You want good stuff or shit? - 'We want good stuff.'
Do you know where this stuff comes from?
It comes from Maryland. You know what that means?
- No. - That means it's good.
- Tony, we borrow your car? - Sure.
Alright, come on. Across the street.
- You got sparklers? - Yes.
- Cherry bombs? Ash cans? - Yes. Yes.
- Cones? - Cones, yes.
Women?
What are you, a comedian? Comedians, Tony.
Thank you.
- 'Nice car.' - 'Yeah, well..'
(male #7) 'Must've cost a lot.'
(Michael) 'You got a good buy on this, didn't you?'
'You need a tune-up there, Tony.'
'Did you kids come down here for the feast?'
- 'Yeah.' - 'Yeah.'
(Michael) 'Now w-what we're gonna do is we're gonna let you out'
right over there on that corner.
And we're gonna come back for you.
- Can we come with you? - No.
See, I can't let anybody see where I got the stuff.
That's good business, you know what I'm saying?
We'll be back in about 30 minutes.
- Okay. - Wait, wait, wait.
- What about the cash? - Take a check?
Take a check?
- Where are you guys from? - Riverdale.
(Michael) 'Maybe that's what they do up in Riverdale'
but down here, we gotta take cash.
Now you got it or you don't got it?
Okay, here.
Alright, now wait over there and keep your mouth shut.
Checks? Tony, you take checks, right?
- Sure, I take checks. - I know you do.
- How much did we get? - You know, I don't know.
Let me see, let me see here. What do we got here?
'What do we got here? Mathematician.'
One, two, three, four, five, ten, fifteen.
What do you know? We got stiffed by them kids.
They only gave me $20.
- Here. Take five. - Oh.
Tell you what, I'll write you a check.
I'll tell you what, get out of the car.
I'll tell you what, take the five.
- Give me the five. - Okay.
- Let's go to the movies. - And the movie's on you.
(Tony) 'Pull over here. Pull over here.'
'There he is. There he is. Hey!'
Hey, Michael.
(Tony) Charlie, get in the car. Come here.
- Coming in? - Nah, come here.
Sal, I'll see you tomorrow, right?
Frankie, be good.
- What's the matter? - 'Nothing.'
(Tony) 'We just stiffed a couple of kids.'
- Ah, how much you take 'em for? - 'Twenty dollars.'
What are you laughing about? $20!
- Let's go to the movies. - 'Okay, go to the movies.'
- And the movie's on you. - What are you talking about?
- 'This is my business.' - 'You better believe this.'
[grunts] Ow!
[indistinct yelling]
[grunting] Ow!
You guys better enjoy yourselves.
It's costing me a lot of money.
(female #1) 'Hey, get your hands off me, man. Leave me alone!'
- 'I ain't doin' nothing, lady.' - 'Shut up, give me a break.'
- 'I'm trying to watch.' - 'You shut up.'
(female #1) 'You watch it. I'm gonna get the manager in here.'
'He's gonna throw you right out in the street.'
(male #8) 'Go ahead. Go get the fucking manager.'
- 'He's a fruit.' - 'You're a fruit.'
- 'Me? I'm no fruit.' - 'He's right.'
[instrumental music]
♪ Oh Florence girl don't you go aah ♪♪
(Johnny) 'It feels good, huh, Charlie? Streets are empty and nice.'
'I mean, you can thank God. I mean, with that feast on'
'you can't even move in your own neighborhood now.'
'I hate that feast with a passion.'
(Charlie) 'Hey, never mind the feast, just remember
'when we get there, I'll do the talkin'.'
(Johnny) Yeah, that's the trouble. You always do the talkin'.
(Charlie) Hey, don't fool around, John. Jimmy asked me to settle this.
(Johnny) How much do they owe him?
(Charlie) I don't know, a couple of hundred.
(Johnny) 'Look at this character, hasn't taken a bath'
'since last Christmas.'
- 'He's probably an ex-judge.' - He's the mayor's aide.
- Where's he gonna meet us? - In the pool hall.
Where is it? Near Sullivan Street?
- Yeah. - No, it's on King Street.
What are you doing?
You gotta show me where to go. I don't know my way around here.
Make a, make a, make a right turn over here at the green
'when the light turns green.'
It's time this kid Jimmy don't bet outside the neighborhood.
Come on with this light. What is this?
Like, a coffee and cake light over here? Madone.
John, you wanna keep your father away from the car, please?
(Charlie) 'Ah, it'll be okay. I know these guys.'
- They're not gonna stiff him. - How do you know?
(Charlie) Just keep your mouth shut when we get there.
- 'I'll take care of it.' - 'I'm not sayin' nothin'.'
- 'Just don't say nothin'.' - 'I'm not sayin' nothin'.'
- Where the fuck is he? - Here he is.
(Jimmy) 'Charlie.'
Listen, the number I bet was 235.
I bet a combination because I dreamed of my grandfather.
- How much did you bet on that? - Hey, what did I say?
What?
Calm down.
Clark, you seen Joey Gatucci around?
Yeah, he's in the back room.
When he died, the number of the funeral parlor was 235.
So I figured I had a good bet, you know?
So I figured I'd place it with--
- Hey, Joey. - Well, well, well.
Saint Charles is here. Everybody, benediction!
Oh. Hey, you may rise. Rise, please.
Thank you. My good friend, Tootie, over here.
Tootie. Tootie.
- You can't lose with that. - How about Mushy?
Mushy. Here's one for the lamp.
- One for the lamp. - Mushy.
This will definitely get you to Hollywood.
- The chalkboard. - Chalkboard.
- The pool cues. - The pool cues.
How about the balls? Bless my balls.
- 'Yeah, bless his balls.' - Hey.
- How you been, Joey? - Alright.
Looking good. Look like you took off a couple of tons.
[laughs]
What brings you down here, Charlie?
[laughing]
Look, Joey, on Friday the 25th, I placed a bet with Sally.
- Never heard of it. - Never heard of it?
Never heard of Sally. Who the fuck is Sally?
Oh, Joey, really. Come on, we're all friends here.
Now let's cut the bullshit, huh?
[chuckles]
Well, uh..
Hey, Jimmy, you know you got a good friend here.
Yeah. Wonderful.
Come to think of it, I do remember now.
[mumbles] That's a real scumbag.
Shut up.
Hey, Friday's a busy day.
A mistake can be made, you know?
- Right, no problem, no problem. - Alright.
I forget myself too, sometimes.
- Okay, let's have a drink. - Good enough.
Come on, now let's have a drink.
Jimmy, Tootie, finish the rack.
- 'Who's buyin'?' - 'Me.'
Whoa. Watch out for that light.
Alright.
- Hey, hey, hey. - Hey.
[laughs]
So we'll have a couple of drinks.
♪ Those oldies but goodies ♪♪
Mind if I have a beer, Joey?
- Go ahead. - I got scotch here.
I got a dry throat.
Hey, where'd you get the hat?
You like this hat?
It's a $25 Dobbs hat.
Where did you get those sneakers?
These are $2 sneakers.
Hey, good for you.
Hey, why don't you lower the jukebox? I can't hear nothin'.
Hey, the girls like the music loud.
Girls. You call those skanks girls?
[indistinct]
Hey, what's the matter with this kid, huh?
Hey, there ain't nothin' wrong with me, my friend.
- I'm feelin' fine. - 'Keep your mouth shut.'
Hey, you call me that in front of this asshole?
Alright, alright. We're not gonna pay. We're not payin'.
- Joey. - But why?
We just said we were gonna have a drink.
We're not payin' because this guy
this guy is a fuckin' mook.
But I didn't say nothin'.
And we don't pay mooks.
Mook?
- I'm a mook? - Yeah.
- What's a mook? - A mook, what's a mook?
- I don't know. - What's a mook?
- You can't call me a mook. - I can't?
No.
- I'll give you mook. - Hey!
Now come on, get him out from behind.
♪ A letter a letter for me ♪
♪ I've been standin' here waitin' Mr. Postman ♪
Hey, hey! Come on, I got a bad hand!
♪ Just a card or just a letter ♪
♪ Sayin' he's returnin' home to me ♪
♪ Please Mr. Postman ♪
♪ Please Mr. Postman look and see ♪
♪ Oh yeah yeah ♪
♪ Is there a letter in your bag for me? ♪
♪ Please please Mr. Postman ♪
♪ 'Cause it's been a mighty long time ♪
♪ Whoa yeah ♪
♪ Since I heard from this boyfriend of mine ♪
♪ So many days you pass me by ♪
♪ You saw the tears standin' in my eye ♪
♪ You wouldn't stop to make me feel better ♪
♪ By leavin' me a card or a letter ♪
♪ Please Mr. Postman look and see ♪
♪ Is there a letter in your bag for me? ♪
♪ You know it's been so long ♪
♪ Yeah since I heard from this boyfriend of mine ♪
♪ You better wait a minute wait a minute ♪
♪ Oh you better wait a minute ♪
♪ Please please Mr. Postman ♪
♪ Wait a minute Mr. Postman ♪
♪ Please check and see just one more time for me ♪
♪ You better wait a minute wait a minute Mr. Postman ♪
♪ Wait a minute wait a minute wait a minute ♪
♪ Please Mr. Postman ♪
♪ Wait a minute Mr. Postman ♪
♪ Deliver the letter the sooner the better ♪
What's the matter with you, Joey?
♪ Wait a minute please Mr. Postman ♪
♪ Wait a minute ♪♪
[all clamoring]
The cops! The cops!
Come on.
Hey, officer, can I get my hat?
No.
- Can I call my wife? - Nope.
What you got here?
- That's a nail file. - That's a knife.
- No, no. - This is a knife.
No, it's got a toothpick in there and, uh--
Davis. Davis, this is very embarrassin'.
Look, how long have I known you, Davis, huh?
You've never seen fights like this.
These are my friends.
This is my cousin, Charlie.
- We're friends. - Right.
- Your cousin? - Yeah.
- Where you from? - East Side.
The East Side. What is this? This is a knife.
- No. - It's a knife.
It's got a toothpick in there. You see over there?
Davis, come here. Come here, I wanna talk to you.
You coverin' for the East Side or the West Side?
Davis, let me, let me
let me just talk to you on behalf--
What are, what are you gonna say about this knife?
It's a little harmless penknife!
A little harmless penknife? This is a dangerous weapon.
Do you know the penalty for this?
Look, I'm sure we can settle this.
How we gonna settle this? You've got all this..
- How we gonna settle this? - Let me give you some car fare.
- Alright. - Took you a long time.
- Where you goin'? - New Jersey.
New Jersey. Alright, here.
This is for you and your partner--
Goin' to Philadelphia.
- Here. - Thank you.
Okay. Thanks a lot, Davis.
Alright. Here.
- Thanks. - Johnny, come on.
- Thanks a lot, Davis. - And you guys here.
Just no more of this foolin' around, huh?
You guys get hurt like that. Alright?
- Okay. - Bye.
So long, Davis.
Come on, let's have a drink.
Come on! Let's have a drink! Everybody!
Who were those two mooks that jumped us?
Every day is Christmas with these cops.
(Joey) 'Come on, Jimmy, we were gonna pay ya.'
'We just don't like bein' pushed around.'
Hey, come on, Joe, we're pushin' you around?
Yeah.
Let's have a drink and forget about it.
Alright. This is the drink we never had before.
Come on, salut.
- Salut. - Salut.
Ahh.
Alright, there's your money.
Hey, you don't have to count it. It's all there.
Oh, no. You go ahead. Count it.
Hey, come on. No bullshit. Friends. Come on.
Hey, don't fuckin' touch me, scumbag.
Hey, hey, hey.
- Hey, hey! - What?
- Hey! - Whoa, whoa, whoa!
- Fuck youse all. - Hey!
- Hey! Hey! - Hey!
- Come on! Come on! - Follow me, men!
Hey, that's for you!
- 'Ah! Fuck you!' - Up your ass!
Come back here again, you'll find out
what's gonna happen to ya! Fuckin' douchebags.
(Johnny) Mook. I still don't know what mook means.
- We're gonna look it up. - Stop with the mook.
Look at that, look at that.
- Don't touch it. It hurts. - Come on, you look great.
Tony, you got somethin' in the back we can--
Yeah, I got somethin' in the back. Come on.
But first, I wanna show you somethin'.
I just wanna know, what does mook mean?
Hey, Jimmy Mook.
[laughing]
(Charlie) Mook.
Okay, baby, just relax. Take it easy. That's it.
Uh-uh. Time out. What are you doin', Georgie?
You're supposed to be workin', come on.
Tony, give me a break. I'm with a girl.
- Yeah, go out and work. - Oh!
Charlie, give him a break. Close the door, George.
- Before we take care of youse-- - Smells like shit back here.
There's somethin' I gotta show you.
Watch this.
- Oh, hey. - Where'd you get this?
Look at the size of these guys.
- Tony, you gotta be kiddin' me. - That's crazy meat.
Look at this one. It's beautiful, huh?
That panther. Where did you get this?
How many pounds of meat you feed him, huh?
I want you to keep quiet about this.
I don't have a license for 'em yet.
Where'd you get these?
Nobody can go near 'em but me.
I'm the only one who can feed 'em.
Watch.
You got claw insurance going on or what?
- What are you doin'? - Hey, b-believe me, Tony.
- What are you doing? - Hey, Tony, come on!
- Are you crazy or what? - Be careful in there!
What, are you out of your mind, Tony?
Where you goin', cowards? No wonder Italy lost the war.
- Here's daddy. Here's daddy. - Tony, be careful.
I really wanted to get a tiger, Charlie, you know.
Old William Blake and all that.
[purrs]
Ah, good girl.
Good girl. Okay.
Good. Come on.
That's it. Okay. That's it. That's it.
'Oh, that's it. Hug daddy. Hug daddy.'
'Come on. Come on.'
'That's it, baby.'
'Good girl. Good girl.'
'Come on. That's it, huh.'
'That's it. Oh, oh, don't bite. Don't bite.'
'That's it. Good, good girl.'
[Jimmy Roselli singing "Malafemmina"]
[song in foreign language]
You believe anything anybody says.
(Charlie) 'That's right. I believe everybody.'
- That's my charm. - Some charm, pops.
What about the time you went on retreat?
What about it? You know.. Hey.
(Tony) 'Charlie goes on this retreat.'
'He tells me a story about a priest who used to, uh'
let this couple borrow his car for dates.
Now, I didn't make 'em 'cause they weren't married.
But, uh, two weeks before the marriage
they decided to make it.
So they pull over to the side of the road
in the priest's car... doin' it.
Boom! Mack truck comes along and they're both killed.
[Johnny laughing]
That's great. That's true? This really happened? Madone.
No, wait.
'Charlie believes it.'
'I tell him, uh, two years before that'
I went on a retreat and a priest tells me the same story.
This is a different priest. It's the exact same story.
- So that-- - Did you get it?
Yeah. That means the-the-the story ain't true, right?
(Tony) 'Yeah, but the point is, he's really upset.'
'What he don't understand is'
'it's a business, it's work. It's an organization.'
You know, Tony, you got a way about talkin' about one thing
and then, zap, you slide right into somethin' else
like nobody's even supposed to notice.
I was mad because they lied to me.
I'm gonna tell you one thing, I ain't never goin' on no retreat.
Never.
Why do you let those guys get to you?
'Cause they're supposed to be guys.
Hey, listen, that's where you and I differ.
What can I tell you?
Do you want me to say it?
You gotta be like me.
You wanna be saved.
Bar's closed, kid.
I'm just waitin' for Joey.
Alright. Sit down.
[song continues]
I gotta go to the bathroom.
So go ahead. What do you want, somebody to hold it for you?
[laughs]
- Jesus. - What a jerk-off.
[chuckles]
(Tony) Yeah, Charlie, hold it for him. Hold his ding-dong.
George.
You wanna do something?
Yeah, yeah. You know how he gets.
You know how my chairs get?
[crash]
- Hey, hey, hey! - Hey!
What is it with this guy?
Now this place is really gettin' depressin', Tony.
Uh, no. That's an understatement.
If I had my place, every night
I'd get bums like this down, have things happenin'.
Call it somethin' like Season Of The Witch, get it?
- Got it. - Good.
- Bullshit. - Who's talkin' bullshit?
Who's the guy with, uh, William Blake and the tigers?
Hey, come on, will you, guys?
Will you shut up with, uh, the tigers
and witches over here?
Come on. Come on, let's get out of here.
Come on, Tony, close the place--
Get out of here when the place is ready to close.
Why don't you close it now? We get out of here
we go out, get somethin' to eat.
When everybody leaves, we close.
Don't forget what's-his-name in the bathroom.
Charlie, come here.
Let me show you a picture of yourself.
Hmm. Not quite.
But keep tryin', dummkopf.
Tony, you wanna have a game after we close?
- No. - Yeah. Come on. For how much?
- Scumbag. - Hey, come on.
- Don't call me no scumbag. - You can't pay what you owe.
As soon as a game shows up, you, bang, you wanna jump there.
"For how much?" Why don't you use your head?
- Hey. - Hey!
Hey! Hold it, huh? What's the matter with you guys?
We're friends!
What the fuck is wrong with you?
- Me? He's the one-- - You too!
He's callin' me a scumbag.
- Alright! Enough! - Fuckin' moron.
Moron.
- Moron? - Yeah. Moron.
Go ahead, hit each other with the fuckin' chairs
why don't you?
- 'Come on, gonna go eat now?' - 'Alright, enough, enough.'
You ought to know better than that.
I'm sorry.
I'm sorry, okay? I'm sorry.
What do you say, wanna play a little cards?
No.
Anybody wanna have a game?
Michael, I've got a game you cannot say no to.
- No. - He said no.
A lot of sports.
[sighs]
A little blackjack?
Ah.
[song in foreign language]
[gunshots]
[gunshot]
[indistinct chatter]
- He's got a gun. - Get down!
[all clamoring]
- Grab him! - Grab the gun!
(Charlie) 'Somebody grab the gun!'
[gunshot]
[indistinct chatter]
[grunting]
Everybody, out! George, kill the lights.
[dog barking]
[siren wailing]
- Alright. - Don't run! Split up!
Don't. Don't run!
[clattering]
[indistinct chatter]
(Tony) Don't run! Just split up.
Don't run!
Don't run! Split up!
'Don't run! Just split up.'
- No, I'm getting out of here. - Hey! Don't run!
George, where are you going? Where's your car?
(Charlie) Mikey.
Michael, let us go with you.
Hey, chauffeur.
- Hey, chauffeur. - Shut up. Quit your hollering.
- Shut up, stupid. - I'll ask him.
- Uptown, Jeeves. - Come on, you guys. Hurry up.
- Where we gonna go? - Oh, Michael, give us a lift.
Get out of here! Get the fuck out of here.
- Hey, get out! - Hey. Hey.
- Get out of here! - Hey!
Shut up, shut up. There's too much noise.
Just get in. I'm standing out here in the rain.
What's the matter with you guys?
- Yeah, you stay there. - Come on, get away.
Move over, stay over there. Stay on your side.
Don't touch me. Don't touch me!
- 'Guys, where are we?' - 'Jesus.'
(male #9) 'Sammy, get control of yourself.'
- 'Will you behave yourself?' - 'Alright.'
I-I'm terribly sorry, guys.
It's just that he's terribly frightened.
Just keep him quiet, alright?
Who are these? Friends of yours, Mike?
What are you, a comedian?
I can't get over the way he just kept goin' at him.
Yeah, must've been all that liquor in him, boy, madone.
(Michael) 'Hey,chalut. Chetarsi!'
Yes, chetarsi. You know what chetarsi means, Sammy?
Sounds like something dirty.
What are you lookin' at?
Hey, what are we doin' with these faggots? Throw them out.
(Michael) 'What, are you nuts? What do you want me to do?'
'Leave them in front of Tony's place? Come on.'
(Sammy) 'Hey, Benton, look at that number! Wow.'
- Hey. Hey, shut up. - Hey, beautiful!
- 'Hey, hey, keep him down.' - Madone.
What's the matter?
[men cheering]
(Johnny) 'Look at this. We're embarrassed.'
'Look at this.'
- Sammy, behave yourself. - I won't.
- I won't. Why should I? - Hey, hey.
- Let me out of this car! - Sammy, just stop it!
- Come here. - Look at that one!
(Sammy) Oh, my God. Hey, baby, do you got any meat?
Hey, baby, I wanna suck on that, baby!
'I wanna suck on that..'
[car honks]
'I want it all!'
- 'Hey.' - Shut up.
- 'Get him out of here.' - 'Alright. That's it.'
- Get out of here! - Get 'em out of here.
- What do you mean? - Don't push.
What do you mean, get out?
- 'Get out of here.' - I just got in.
- Get out. - Go, go.
- Ow. Animals! - Take it easy.
Alright, just a minute, please!
[cars honking]
- Where are we going? - Thanks for the ride, Mike.
- See you around, Mike. - Wait a minute. What is this?
Hey, fellas, you goin' my way?
Come on. What you bothering with them for?
(Sammy) 'What's your problem? Bullshit.'
Hey, look at that piece, Johnny.
That's one of those little jobs the cops carry in their sock.
Yeah, cop hit me on the head with one of those.
Do you remember that time I got that beating from those cops?
Yeah, you never recovered from that one, did you?
I never recovered?
If I wasn't there to be used as a punching bag
to enable you to leave fast--
That's because you're stupid.
You should have ran and left safely with me.
With you? I'm stupid for getting my head punched in?
You schweinehund! Dush, dush.
[grunting]
You know I got.. My bad hand. My bad hand.
- Wait a minute. W-w-wait. - What are you doin'?
Shh. Joe Black.
Joe Black. I owe him money.
- I don't think that's him. - 'Yeah, it's him.'
Where is he?
He's turned the corner. Come on.
Is he gone?
Yeah, he turned the corner. Come on.
Yeah, that don't mean he's gone.
You coming? Come on. Get over here.
He turned the corner. What's the matter with you?
Come here..
Oh! Whoa.
[metal clanking]
- Aah! - Watch out for that.
- Ah! - Aah!
Watch out for that.
You can't go home lookin' like that. Stay with me.
'Your mother ain't there, is she?'
No, she's on the island takin' care of my grandmother.
Hey, let's get some bread from my uncle's store.
- I'm sick about my hat. - Here.
Your grandmother's gonna die, right?
Yeah, right.
Did you like her?
What do you mean, do I like her? She's my grandmother.
So what? That don't mean nothing.
So what? What's the matter with you?
Jesus. Anyway, she ain't dead yet, God forbid.
So shut up.
- Charlie? - 'What?'
You ain't got nothing to eat over here.
'I could've told you that before.'
You got nothin'. I tell you what, you know what we do?
- 'What do you want?' - I tell you what we do.
I'll go over to my aunt's 'cause she got lots of food.
She keeps a lot of food all the time.
I'll go through the fire escape, okay?
Don't do that. Johnny, you'll scare your Cousin Teresa
you go in there that way.
Oh, that's right. Yeah.
Hey, you know what we can do? She can have a seizure maybe.
- You know, then we can watch. - That's not funny.
You gonna be a jerk-off all your life?
Grow up, huh?
You want some food from your aunt's house?
You go and you knock on her door, you understand?
Yeah, forget it. I-I ain't hungry now.
Go to sleep.
Besides, where you goin' at 6 o'clock in the morning?
I ain't hungry.
Uh..
- Did you say your prayers? - Ha-ha. Very funny. Ha-ha.
Hey, why don't you tuck me in, sweetie?
[chuckles]
(Charlie) Teresa, I had a dream last night about you and me.
I gotta tell you this.
We're in this room and we're both naked.
And there's this huge white bed and you're lying on it
and I'm standing over you.
And we're just about to make love and I cum.
The only thing is, I cum blood.
[chuckles] And blood went all over the place
squirting all over the place
all over you, all over me, my hands and everything.
(Teresa) I don't think that's funny.
(Charlie) Ah, you know, Teresa, girls bother me.
They got no sense of humor.
(Teresa) Well, I'm a girl.
Do you like me?
Yeah, I like you.
I love you.
Well, I don't love you.
We'll see.
Hey, forget it.
If there was any chance of me falling in love with you, Teresa
I wouldn't be here right now. Believe me.
Because?
Because with you, I can't get involved.
- Because? - Because you're a cunt.
Wait, it was only a joke.
Where do you get off talking like that?
It was only a joke. Hey! Hey, come here.
Like hell it was.
'Look at you. Why are you standing there'
'in front of the window like that for?'
'Someone might see you. Get over here. Come on.'
'Go ahead. Jump out the fuckin' window.'
Don't look.
Don't look!
You really don't want me to look?
Yeah, I really don't want you to look.
'I see what you're doing.'
[laughing]
- Mmm. - I saw you.
What? I wasn't doing nothing.
Mmm, you weren't doing nothing.
[laughs]
Aah. Argh!
[laughing]
You wild woman.
Let me alone! Get your hands off me!
Let go of me!
Oh. Ugh!
[sighs] You're killing me.
[chuckles]
You should have seen it. Unbelievable.
The kid went right to the bathroom and shot him
and the guy would keep comin' at him like Rasputin.
Madone. That kid was scared.
- We were more scared. - But it doesn't make any sense.
You mean he shot him just because he insulted Mario?
It wasn't anything personal?
The kid's a climber, not very bright.
He kills a guy who insulted a big man
he gets reputation, he thinks he's made it.
Ugh, that's still sick.
Not sick, just stupid.
Which reminds me, last night your Cousin Johnny decided
to break into your mother's house to get some food.
[laughs]
- So why didn't you let him? - Oh, that's funny.
Hey, what are you.. Put that shit down.
What are you doing? What's the matter with you?
Hey, he doesn't know anything about us, does he? Really?
No. I don't want him to know.
Nobody knows anything. Your reputation's still safe.
Hey, come on. Smile. What's the matter?
You look like you wanna kill me. You wanna kill me?
Go ahead, kill me.
Ooh.
Miss, you can make up the room now.
- I only got two hands. - Well, use 'em.
- Cut that out, will you? - Oh, I hate shit like that.
Excuse me, ma'am.
You got some mouth, you know that?
Well, kiss me.
I'll give you a zap. Pow!
[band music]
[opera music]
- Hey, Hash, how you feeling? - Hey, pretty good.
My uncle in the back?
Yeah, but I think he's busy right now.
Hey, Charlie, play a 463 combination today.
Yeah. Thanks.
[indistinct chatter]
[speaking in foreign language]
What are you talkin' about?
[speaking in foreign language]
There was no insult. I know the kid. He was drunk.
He made a fool of himself, not me.
'Nobody had to shoot him.'
[speaking in foreign language]
I hate the sun. Come on, let's go inside, will you?
What else do you hate?
I hate the ocean and I hate the beach
and I hate the sun.
[chuckles]
And the grass
and the trees and I hate heat!
- Charlie? - What?
What do you like?
I like spaghetti and clam sauce. Mountains. Bzz.
[laughs]
Francis of Assisi
chicken with lemon and garlic
uh, and John Wayne.
You know, there aren't any, uh, mountains in Manhattan.
Yeah, tall buildings, same thing.
And I like you.
I like it here alone.
You know, I'm really gonna take that apartment, the one uptown.
- Are you? - Yeah, I'm really gonna do it.
- Why don't you do it this time? - Oh, I am. I'm gonna.
The hell with my parents. I just can't take it anymore.
I think it will be a good move.
I'm gonna do it.
- So what are you waiting for? - For you.
Teresa.
Now you can't wait for me now.
I'm closing in on something in the neighborhood
and I gotta stick around.
What are you afraid of?
Afraid? What are you talkin' about, afraid?
Go on! What's stopping you?
You say you're not afraid of your parents, so go ahead
move out.
To me, all I've got is the neighborhood right now.
What about me?
Just the neighborhood and those guys down there.
That's all that's important to me right now.
Right. Right. Guys like my Cousin Johnny.
No, not exactly your Cousin Johnny.
Well, I hope not, because he is crazy.
I mean, he is driving me nuts.
I don't know how you can be with him all the time.
- He's like an insane person. - What is the matter with you?
How can you talk that way about him? He's your own cousin?
- Oh, fuck him! - That's terrible.
Who's going to help him if I don't?
That's what's the matter. Nobody-nobody tries anymore.
- Tries what? - Tries to, uh..
To help, that's all, to help people.
You help yourself first.
Bullshit, Teresa. That's where you're all wrong.
Francis of Assisi had it all down.
- He knew. - What are you talkin' about?
Saint Francis didn't run numbers.
Me neither. I don't run numbers.
♪ My darling I am lonely ♪
♪ Now that you're gone ♪
♪ Please come back ♪
♪ To me ♪♪
Diane, how are you feeling?
Fine. Excuse me, please.
You know, uh, Diane
uh, I've been wanting to talk to you for a while now.
Excuse me.
Uh, aside from all that jokin' around
that you and I do outside, yeah, you know, when you're on, I--
Excuse me.
I really think, uh, you're a terrific performer.
- Fine. - Hey, no, I'm serious.
You know, you're really very good.
I know.
Groovy.
You know, in a little while, I'm gonna have the opportunity
of openin', uh, my own place.
Much nicer. Much nicer than this.
Uptown.
Sort of a nightclub restaurant and everything and, uh..
...uh, I was thinkin' you'd do much, uh
you'd do very nicely for the place.
Dancin'?
No, as, uh, the hostess.
- That's nice. - Hostess?
Yeah, you know, the people come in and you greet them
and you, uh, show 'em to the tables. Everything like that.
Listen, why don't we, uh, get together later on?
We'll talk about it a little bit.
- Chinese food? - Hey, Chinese food.
(male #10) 'Where do you want me to drop you off?'
No, don't stop. Just pass by real slow, okay?
Hey, stop here. Hey, what am I, crazy?
Uh, say, would you take me back
to where you picked me up, please?
- Sorry. - Alright.
Hey, am I crazy?
That's all I need now, is to get caught
in the Village with a mulignan.
Hi, Lou.
- Come stai? - Fine. Thank you.
- Good to see you. - Good to see you.
- How's it going, Lou? - Fine.
Hi, Oscar.
[indistinct chatter]
[speaking in foreign language]
Mario, how you doing?
- How are you, kid? - Nice to see you.
- Giovanni, can I sit? - Sure.
Can I talk?
- What is it? - It's about money.
I know all about it. We'll discuss it later, huh?
Sure, I understand.
Shall I serve the, uh, tripe now?
- Anytime. Thank you, Oscar. - You're welcome.
[speaking in foreign language]
They are not like us.
'They know where to come when they need us.'
I realized this a long time ago, during the World War II.
Charlie Lakey was working for the government
taking care of the docks.
- What did he do? - What did he do?
He was there, that's what he did.
I said the same thing to your father 20 years ago.
He didn't listen.
[sighs] You're still around that kid, Johnny Boy.
'This Johnny Boy is named after me.'
- 'Nice, huh?' - 'Oh, sure.'
But this Johnny Boy is a little bit like your friend, Groppi.
Half-crazy.
I understand you try to help him out
because of our family and his family.
Well, that's nice. I understand.
But watch yourself. Don't spoil anything.
'Honorable men go with honorable men.'
[speaking in foreign language]
- Don't forget that. - Si.
'And also his whole family has problems.'
'His cousin, um, the girl who lives next door to you.'
Teresa.
'The one who's sick in the head.'
No, she, uh, she's got epilepsy.
That's what I said. She's sick in the head.
'Her mother and father came to me for advice.'
'She wants her own apartment. What am I gonna tell 'em?'
Lock her up?
You know I'm compato with them.
So I listen.
I have to take an interest.
You live next door. Keep an eye open.
'But don't get involved.'
Charlie, uh, why don't you take a look
around the place if you want?
No, that's okay, I've been in and out of this place
about 50 times already.
Well, maybe you missed something.
After all, you should get to know the place.
Oh, yeah.
[speaking in foreign language]
[sneezes]
Jesus Christ! You are disgusting!
[indistinct chatter]
Hi, Charlie, how are ya? Hot enough for ya?
Yeah, how are you doin' there, Cookie?
Fine.
♪ Is it in his eyes? ♪
♪ Oh no you'll be deceived ♪
♪ Is it in his eyes? ♪
♪ Oh no he'll make-believe ♪
♪ If you want to know ♪
♪ If he loves you so ♪
♪ It's in his kiss ♪
Teresa!
Psst, Ter..
Downstairs.
Meet me downstairs now.
Yeah.
♪ If you want to know ♪
♪ If he loves you so ♪
♪ It's in his kiss ♪♪
- What is it? - 'Come down.'
Uh, come on here.
(Charlie) 'Shit.'
Well, uh, I can't make it tonight.
Okay.
Alright, so, uh, is that all? So I'll see you on Friday?
Friday, um, I can't..
I can't make it Friday either.
What do you mean?
I can't see you for a while.
Don't tell me that.
- Teresa. - Why?
Because you are fucking things up
between you and Johnny, you're gonna ruin everything for me.
- Ruin what? - Ruin what?
[shouting in foreign language]
Oye. I'm sorry, Mrs. Rucco, pardon me.
Come on inside.
- Now-- - Why am I ruining everything?
Keep quiet! I'll give you a slap in the mouth, Teresa!
Shut up!
Now listen to me for a minute.
My uncle's got me lined up to run a restaurant that I want
but I gotta stay away from you and Johnny.
- Does he know about you and me? - No.
Does he know about Johnny and those loans?
No. What are you, wait, w-what, are you kiddin' me?
Of course not. He doesn't understand Johnny.
You know, he's just a, just a kid who needs to be--
- Answer me! - What do you want from me?
I said, do you feel the way he does about me?
No!
No, I don't feel that way about you.
- I don't wanna stop seein' you. - What are you afraid of?
I love you.
- Don't ever say that. - What?
- That. - What? Do you love me?
Alright.
Alright, alright, alright. Let's just get out of here.
Okay, okay, but, but just-just..
[sighs] Just let me get to the restaurant first, alright?
Then, then I think things are gonna be easier.
Okay.
[band music]
[cheering and applauding]
Bravo! Bravo!
So where have you been?
Um, around.
You heard what happened to Groppi, huh?
Who me? No.
Well, Oscar found out where his partner is.
[chuckles] It seems Groppi went to visit his mother.
He went to her room where she was watching television
and he says to her he's sorry.
That's all. Just he's sorry.
Goes into the next room, gets a gun
puts it in his mouth and that's it.
'How do you like that?'
'I tell you that Groppi was always half-crazy.'
Half-crazy to say the least.
What is it?
Not now, huh?
Doesn't he see that we are talking?
A couple of minutes, will ya? Outside.
What does he want?
I think he wants to talk to me
about somethin', I don't know.
- Hey, you spit on my shoe. - I know.
Okay, Charlie, lot of aggravation though, you know.
Like Johnny Boy.
I figure I give him all the breaks I can give him.
- Oh, look, Michael-- - No.
No, Charlie, it's no good, see?
He's a punk bastard, Charlie.
I, uh, call them down there at work
and I asked them if Johnny Boy's there.
He doesn't even show up anymore.
They told you that down at his place?
Yeah. I mean, how's he gonna pay me, Charlie?
I've talked to him and I've talked to him.
[sighs]
- What more can I do? - I don't know.
Tonight, Michael, at the party, the three of us
we get together and we knock some sense into his head.
- Okay? - Alright, Charlie.
Charlie, you know, I don't like being taken advantage of.
I mean, you're inside there with your uncle and all that.
It's kind of embarrassing for me, you know?
I apologize for that, Michael. We had some business.
Private. You know what I mean?
- Yeah. - Oh, I'm gonna be late.
- I gotta meet somebody. - Alright.
Uh, we'll settle it tonight, alright?
- Okay. - Ciao.
And, Michael, I appreciate what you're doin' for me, alright?
Alright.
♪ I love you so ♪
♪ Doo doo doo doo doo ♪
♪ I want you tonight ♪
♪ Doo doo doo doo doo ♪
♪ I'm telling you darling ♪
♪ I'll never let you go ♪
♪ Doo doo doo doo doo ♪
♪ I need you ♪
♪ Doo doo doo doo doo ♪
♪ I hope you do too ♪
♪ Doo doo doo doo doo ♪
♪ I'm telling you darling ♪
♪ I'll never let you go ♪
♪ Doo doo doo doo doo ♪
She's very intelligent too, you know?
- Yeah? - Yeah, she's goin' to college.
Gonna be a school teacher.
Only been out with her a couple of times.
- Yeah. - Her picture.
Michael, let me see that picture.
Yeah, she's gonna be a teacher.
- Oh, I know this girl. - Yeah?
Yeah. I seen her kissin' a nigger under the bridge
in Jersey the other day.
What are you talkin' about, a nigger?
A nigger, as in mulignan, as in black. A nigger.
What do you mean kissin'?
I mean kissing.
Her lips on his lips. Kissing.
- You sure? - I'm sure.
[chuckles]
Ew.
Nigger? I kissed her.
Don't worry about it. It'll be alright.
♪ Love you ♪
♪ For eternity ♪
♪ Eternity ♪
♪ I spend my nights by the.. ♪
Hallelujah. I've come to create order.
Carl, J&B and soda, please.
'May God be with you and with your spirit.'
[chuckling]
- Let me ask you somethin'. - What?
Art thou the king of the Jews?
Does thou say this of thyself or have others told thee of me?
Am I a Jew?
My kingdom's not of this world.
Jerry. Hey, how you doin'?
- Wow. - Oh, hey.
Jesus.
Oh.
Uh, to Jerry..
...uh, who served in Vietnam
following the immortal words of John Garfield
"Get him in the eyes, get him right in the eyes"
uh, came back with a silver star.
From the boys.
(Tony) Carl, drinks for everybody!
Drinks for everybody!
Hey, drinks for everybody!
- Wow. - Drinks for everybody.
You could make a shirt out of that, Jerry.
♪ We will never never part ♪
- We drink and then we bullshit! - We bullshit!
♪ Darling why did you leave me? ♪
- George. - George, my man.
Watch this.
- Put your mouth down there. - Can you believe it?
♪ You don't know darling how much you mean to me ♪
♪ Please come back and bring me happiness ♪
[indistinct]
- 'You son of a bitch.' - You die.
You die, you bastard.
♪ My love sweetheart ♪♪
- Michael. - What?
Play only old ones tonight.
[chuckles]
- Only the old ones. - Alright.
[chuckling]
[The Chips singing "Rubber Biscuit"]
♪ Cow cow hoo-oo ♪
♪ Cow cow wanna dib-a-doo ♪
♪ Chicken hon-a-chick-a-chick hole-a-hubba ♪
♪ Hey fried chuck-a-lucka wanna jubba ♪
♪ Hi-low nay wanna dubba hubba ♪
♪ Day down sum wanna jigga-wah ♪
♪ Dell rown ay wanna lubba hubba ♪
♪ Mull an' a mound chicka lubba hubba ♪
♪ Fay down ah wanna dippa-zippa-dippa ♪
♪ Doo doo doo boo ♪
♪ Cow cow lubba 'n a blubba lubba ♪
♪ How rown hibb'n 'n a hibba-lu ♪
♪ How low lubbin 'n a blubba-lubba ♪
♪ Hey ride ricky ticky hubba lubba ♪
♪ Dull ow de moun' chicky hubba lubba ♪
♪ Went down trucka lucka wanna do-uh ♪
♪ How low a zippin 'n a hubba-lu ♪
♪ Hey ride ricky ticky blubba-lu ♪
♪ How low duh woody woody pecker pecker ♪
♪ Mm-hmm did you ever hear of a wish sandwich? ♪
♪ Well that's the kind of a sandwich ♪
♪ That you're supposed to take ♪
♪ Two pieces of bread ♪
♪ And wish you had some meat ♪
♪ Doo doo boo ♪
♪ Cow cow lubba 'n a blubba lubba ♪
♪ Hey ride hibbin' and zippin 'n ♪
♪ How luvva mail take a lubba hubba ♪
♪ Hey ride wanna take a recca recca ♪
♪ How low take a lubba hubba ♪
♪ Hey ride wanna 'n suppa suppa ♪
♪ How low a mail take a lubba hubba ♪
♪ Hey ride a hippin' and a hubbin' no ♪
♪ High low 'n sum a chicka wha ♪
♪ Hmm the other day I ate a ricochet biscuit ♪
♪ Well that's the kind of a biscuit that's supposed to ♪
♪ Bounce off the wall back in your mouth ♪
♪ If it don't bounce back ♪
♪ You go hungry ♪
♪ Doo doo boo ♪
♪ Cow cow lubba 'n a blubba lubba ♪
♪ Hey low a sum did a lubba goin' ♪
♪ Hey ride wanna take a-lubba do ♪
♪ How long long suppa dubba ♪
♪ How low a mail take a lubba hubba ♪
♪ Hey ride wanna take a lubba hubba ♪♪
Charlie, Flash ain't here yet.
- He said he'd be here. - Well, he isn't.
Nice, real nice.
He'll be here. He'll be here.
Alright.
'Look, I'll give you 20 bucks to hold him for now.'
What, are you kidding? $20 doesn't pay the interest
for two hours.
Now with the vig, it's almost 3000.
Three thousand?
Shit, you charge a guy from the neighborhood 1800 vig?
No wonder he's late with his payments.
What am I, his father?
Don't you think you could have come to me
a little sooner, friend?
Charlie, this is business.
Well, then be realistic, Michael.
Where's he to come up with $3000, huh?
Let's work somethin' out.
Make it 1800.
- Don't hustle me. - I'm not hustlin' you.
[sighs] Let's make it 2000.
Alright, now you're bein' sensible about it.
'I swear to Jesus Christ on the goddamn cross'
if that kid thinks he's makin' a jerk-off out of me
I'm gonna break his legs.
Michael, come on, huh?
You should have sense enough yourself not to get involved.
- Don't tell me what to do, huh? - I'm tellin' you the truth.
The fuckin' truth is you're more involved than anybody.
What do I look like, a jerk?
'Alright, next payday, I'm comin' down here to Tony's.'
Johnny Boy better show or I'm gonna find him
and I'm gonna break his fuckin' legs.
We understand each other?
I heard ya.
Good.
Amen, I say to thee.
Thou will not come out from it
till thou hast paid the last penny.
- Hey, Michael, you look tired. - You said it.
[Johnny Ace singing "Pledging My Love"]
♪ Forever my darling ♪
♪ Our love will be true ♪
♪ Always and forever ♪
Jerry, don't! Alright.
Jerry!
Come on, Jerry! Come on!
- Grab him! Jerry! Easy, man! - Jerry!
Jerry, Jerry, Jerry, take it easy!
Take it easy. We're in America, Jerry!
- Jerry, Jerry, come on. - Come on.
Take it easy. Come on.
(Jerry) 'Let go!'
(Carl) 'Let's go, fellas. Let go.'
[record screeching]
♪ Making you my goal ♪
♪ I'll forever love you ♪
♪ The rest of my days ♪
♪ I'll never part from you ♪
♪ And your loving ways ♪
Dance?
♪ My heart's at your command dear ♪
♪ To keep love and to hold ♪
Do you like this song?
Hmm?
♪ Keeping you is my goal ♪
♪ I'll forever love you ♪
♪ The rest of my days ♪
♪ I'll never part from you ♪
♪ And your loving ways ♪♪
[knock on door]
Charlie, there's a girl here to see you.
- Charlie? - What is it? What's the matter?
Johnny Boy is up on that building on the corner
and he's been on the roof for half an hour.
- Alright, don't get excited. - He's got a gun.
Don't get excited.
- Now you stay here. - I'm coming with you.
- Teresa, you stay-- - I don't wanna stay here--
Shh. You stay here. Tony..
Hey, Teresa, stay here.
- Come on, have a drink. - I don't want a drink.
- Carl, give Teresa a drink. - I don't want a drink!
- Have a drink. - I'll have a 7 and 7.
Okay.
- 'Charlie, Charlie, come here.' - 'Hey, watch out.'
Crazy bastard's up on the roof.
[gunshot]
Johnny, it's me, Charlie!
Hey, watch this, I'm gonna shoot the light out
in the Empire State Building.
Hey, cut it out, stupid. It's me.
[gunshot]
Let me get in there.
Come on! Bobby, stop fucking around.
Come on.
Hey, what do you got up there?
(Johnny) 'A .38!'
- That ain't real, is it? - Yeah.
What's the matter with him?
I'm gonna throw that fucker off the roof.
[gunshots]
(Johnny) 'Come on, no, they ain't..'
Oh, shit. Hey, lady, hey, lady, I'm sorry.
Lady, I didn't mean it, I swear to God!
I'm very sorry.
- What, are you crazy? - Hey, what's the matter--
- What are you doin'? - I scared the shit out of her!
It's pretty funny. Give me that.
I hate that lady. I tried to get her clothesline.
What's the matter with you?
What do you mean what's the matter with me?
Your Cousin Teresa half-crazy about this.
Why? I wasn't shootin' at nobody.
I was shootin' up in the air.
I wanna wake up the neighborhood.
It's dead.
I hate that woman with a vengeance.
A passion.
- You and your numbers! - Fuckin' chicken shits!
- Back to Bataan. - Back to..
Oh, now they're gonna get a real back to Bataan.
An atom bomb, wake up the neighborhood.
What the fuck? Put-put that out!
- Put what out? - Johnny, put that out!
Surprise, you wanna see? You wanna see?
Johnny, put that.. Hey!
Give me that! Put that.. Get the fuck..
[explosion]
[Ray Barretto singing "Ritmo Sabroso"]
[siren wailing]
Let's hide in here for a while. Come on.
- Come on! Come on! - What's wrong with the door?
Hey, what are you kickin', stupid?
- Hey, about time. - Get in there.
Remember all the times we used to play hide and go seek here.
Hey, never mind the hide and seek.
What's this crap about last week?
What? What? What?
You got some balls not showin' up
for work last week, you know that?
After all we had to do to get you on that truck, stupid!
'What's the matter with you?'
Oh, Charlie, come on, man. It was hurtin'.
- My arm was hurtin'-- - Your hand was hurtin'.
Your mouth's gonna hurt from this kick!
For what? Hey, I swear to you. What are you talkin' about?
Besides, I don't like loadin' crates, I tell you.
You're not supposed to like it.
- What gets me is your attitude. - My attitude?
What gets me is your attitude.
Did you ever load crates?
- You don't work. - My attitude.
What do you do? You tell me to go to work
and then you do all the talkin'. What do you do? You do nothin'.
I'll tell you somethin' I don't do.
I don't owe anybody 2000 clams, stupid!
I got Michael to make it $2000. Give you a break on that.
- Oh, yeah? - Hmm.
Hey, you go to work tomorrow, Johnny
or I'm gonna break both your arms.
- We understand each other? - Yeah, yeah.
Hey, I'm sorry, Charlie. I really am.
I mean, uh, 'cause I appreciate
everything you're doin' for me, you know.
I mean, I do.
So I was figurin' that the next
logical thing to do, now don't get mad!
- Oh, yeah? How? - How you get.
- You know a way out of this? - Yeah, I know.
Oh, let me hear this one.
Talk to your uncle.
Oh, that'd be just-just-just-just
really great for you, wouldn't it, huh?
But not for me.
Johnny, one word out of your mouth..
My uncle hears one word about this..
Alright. Hey.
Hey, I was just askin', that's all.
That's what I get for gettin' involved.
Look, on payday
at least show up at Tony's place to meet him, okay?
This way, he doesn't think that
you're tryin' to make a jerk-off out of him.
Yeah, alright.
Hey, I'm not askin' ya, I'm tellin' ya!
Yeah.
[indistinct chatter]
[glass shatters]
[woman screaming]
[glass shatters]
[all clamoring]
- Johnny, come on. - What?
Come on.
- What? We're goin' now? - Let's go.
[woman screaming]
(Charlie) Hey, Shorty!
(Shorty) Ah, fuck you, Charlie, will you?
Shorts, you must be havin' illusions of grandeur.
Hey, what do you want from me? Talk to him.
Gonna see you and Johnny Boy
down here tonight, right, Charlie?
Yeah, we'll be here.
I'm tellin' you, Charlie
that kid doesn't show up tonight
I'm gonna find him.
I'm gonna drag him down here.
I'm gonna tie one of his legs to that Cadillac bumper over there.
I'm gonna tie the other to the Ford and boom!
- We'll be here. - Better be here, Charlie.
Michael, don't you fuckin' threaten me.
Miss? Excuse me, miss?
- Miss? - What? What do you want?
I just want you to be sure and tell your Cousin Johnny Boy
he's gotta see Michael tonight.
Well, then tell him yourself.
I'd love to. Where can I find him?
I don't know. He doesn't live here.
- He's here all the time. - Fuck you.
Fuck me? What do I have to take from these people?
Look what you did, you-you..
Here.
What am I doin'?
'Would you just give me my fuckin' eggplant, please?'
Alright.
You know you got some mouth, you know that?
Get out of here.
Now just be sure and tell him to be here tonight, alright?
[instrumental music]
[song in foreign language]
Are you sure he didn't say anything about tonight?
I told you before. Nothing.
Charlie, Charlie, will you listen to me?
I can't stay here too long at this time of night.
Now Michael was looking for him.
- What's happening? - Nothin'.
I don't believe you.
Son of a bitch.
What? What did you, what did you just say?
Teresa, watch the hands already!
[song continues]
Charlie, Charlie, what do you think?
Look, don't you realize what this apartment means?
Well, maybe after a while, you could even move in yourself.
Enough with that apartment already, alright?
I don't wanna hear anymore!
I got enough on my hands right now
with that bastard cousin of yours.
You wanna move, go on, move.
But leave me out of it!
[song continues]
[sighs] Teresa, I'm sorry, I didn't mean that.
But we've got a situation right now.
- Yeah, a situation. - Come on.
Look, look, go ahead and play your fuckin' games
with that dumb kid, I don't care.
Teresa, it's no game.
[knock on window]
Hey, hello.
- Where were you? - Where was I? I was around.
Answer me, you son of a bitch! Where were you?
- Charlie. - Shut up!
Yeah, shut up, Teresa. Come on.
We don't wanna get Charlie in trouble here, do we?
Don't be cute. I've been goin' crazy here!
- Yeah? - What's the matter with you?
Yeah, what's the matter with you?
You're about an hour and a half late! You know that?
Oh, that's too bad.
Michael's waitin' for us. Y-you forget or what?
Your cousin was gettin' sick worryin' about you.
We'd have started callin' up everybody!
Hmm.
Yeah? That's too bad. Isn't that too bad?
Huh, Teresa?
So, kiddies, uh, youse make
any plans yet or what? When are youse gettin' married?
- You two gonna get engaged? - Don't be smart, Johnny.
What do you mean? I ain't smart. I'm stupid, remember?
- You heard me. - I'm a stronzo.
I'm-I'm so stupid, you gotta look out for me, right?
Am I right? Yeah.
What's the matter? Hey, Teresa. Wha..
Look at that, she's upset. Now what are you so upset about?
You don't understand Charlie here.
Charlie likes everybody. Everybody likes Charlie--
- Enough, enough. - Fuckin' politician over here.
- Watch your mouth! - Look, I'm just goin' home.
Hey, no, wait. Hey, Teresa! Teresa, whoa, whoa, whoa.
Oh, Teresa, come on. Stay here. What are you talking about?
I don't wanna break up a nice happy household here.
Johnny, Johnny, stop foolin' around or I swear to God..
Johnny, if you open your mouth about any of this.
About what? About what?
Johnny, you know what I'm talkin' about.
About what? About you two?
Hey, who cares? I would say somethin'?
I won't even say nothin' to my aunt and uncle.
The guys don't give a shit. What do they care?
I won't even say nothin' to your Uncle Giovanni.
- 'I'm not fooling around.' - Hey, come here!
As a matter of fact, I just talked to him.
What? What? Come on, huh.
I won't say nothin' to Giovanni, that's all.
Hey, you know somethin', I wanted
to ask you somethin', Charlie.
Uh, you know, I always wondered about her.
This is just, this is the God's honest truth.
I always wondered what happens when she cums. She get a fit?
Wh-what's, what's the matter? What happens when she cums?
I mean..
You dirty, two-faced, fuckin' bastard!
Don't ever hit me again! Don't!
Alright, I think I am gonna tell your uncle!
- Go ahead. - Right now.
- Go on! - Don't fight, guys.
I'll tear your fuckin' eyes out of your head!
- I'm gonna kill you, bastard! - Go on!
Teresa! Teresa.
Teresa, what did you do? You know anything about this?
- Johnny! - 'I don't know.'
Hey, how should I know? She's your fuckin' girl.
- Teresa? - I'm gonna go--
- Come here. - Get off of me!
Teresa?
[woman speaking in foreign language]
Hey, do you know what to do?
Hey, do you know, you know what to do?
[speaking in foreign language]
I don't know, she had an attack.
[speaking in foreign language]
[Teresa grunting]
You meeting my uncle, huh? After what I've done for you?
What do you mean what you did for me?
[indistinct]
What do you mean what you did for me?
You didn't do nothin' for me, you fuck!
Fuckin' bastard, you're a fuckin' bastard!
You're a fuckin' bastard!
Come on, what are you doin'?
What did you do for me?
Don't show up tonight. We'll see what happens to you.
How much, how much money you got for Michael tonight?
- I got nothin'. - You got anything?
I got eight fuckin' dollars on me.
Well, uh, here. Take, uh, take 20.
Here, take 22. With your rate, that'll make
uh, that'll make $30, we'll give to Michael tonight
and I'll keep 11 for the weekend.
Maybe we'll get some Chinks later.
Take it, stupid. I'm doin' it for you.
Come on. Come on.
Carry on, huh? Cut it out, will ya?
Come on, Charlie. 30 bucks ain't nothin', you know that.'
Come on, you know the only way you're gonna do
is if you talk to your uncle. That's it. Come on.
- Forget it, will you, please? - Why not?
I ain't gonna do it. Forget about that, alright?
Did I hurt you, huh?
Come on.
You're over an hour late.
Michael said he'll be back though.
[The Shells singing "Baby Oh Baby"]
- Have a drink. - I don't wanna.
Hey, cut it out, will you?
♪ Baby oh baby I love you love you so madly ♪
- Where are you goin'? - I'm going to the bathroom.
Alright, now. Take it easy. Don't get excited.
No!
♪ There is nothing I wouldn't do for you ♪
- Who's the girl? - Jewish.
- How do you know? - Look at her.
She don't look Jewish.
She's in here every night with a different guy.
You know how they are.
♪ There is a favorite favorite girl I meet ♪♪
I love you.
Ever since that first day at the convent
when I saw you playing volleyball with the nuns
I couldn't help myself.
- Let's go. - Fuck off.
- Let's go. - You go. I'm staying.
Well, I think it's obvious the girl doesn't want
to accompany you. Uh, what do you think?
(male #11) 'Hey, uh, look, fella, this is private.'
Nothin' is private.
I want, I wanna go.
Well, if she wants to go or not, she's not gonna go. How's that?
- Let go of her. - Hey..
- Take her away from me. - You're hurting me!
Physically, you take her away from me. Go ahead.
- You bastard! - Alright.
Hey, Joyce?
- Hey, Joyce. - Yeah?
Maybe we'll meet at bingo some night.
[song in foreign language]
- Hey, Mike! - Hey.
What's the story, John?
I was here earlier tonight.
You kept me waiting for an hour.
Hey, I'm sorry, Mikey, but you know, uh
I had somethin' to do and, uh..
But I got somethin' for you.
Not much, but I got somethin' for you.
He has about $30.
That's all he's got on him, Michael.
- Where's the rest? - Yeah, where's the rest?
Well, I bought a few rounds of drinks over here
while I was waitin'. You know what I mean?
Tony says my credit ain't no good no more.
[sighs] You know $30 is enough of an insult..
...but I'd take it for Charlie here.
Ten dollars?
John..
...$10?
Hey, Mike.
Mike, you're really somethin', you know that?
What's the matter? You too good for this $10, huh?
You too good for it? It's a good $10.
'You know somethin', Mikey?'
'You make me laugh, you know that?'
You know, I borrow money all over this neighborhood
left and right, from everybody, and I never paid them back.
So I can't borrow no money from nobody no more, right?
So who does that leave me to borrow money from but you?
I borrow money from you
because you're the only jerk-off around here
that I could borrow money from without payin' back, right?
Right, 'cause, you know, that's what you are.
That's what I think of you, a jerk-off.
You're smilin'. Look. 'Cause you're a jerk-off.
You're a fuckin' jerk-off.
And I'll tell you somethin' else.
Mikey, I fuck you right where you breathe
'cause I don't give two shits about you or nobody else.
Easy, easy!
Come on, come on, come on.
Come on, come on, fuck-face!
Come on, come on.
I got somethin' for ya, motherfucker! Come on.
Come on, come on, motherfucker. I'm a big shot.
Come on, come on, come on.
DD, disappointed dunsky.
Right, asshole. Come on. Come on.
- You don't, you don't have-- - Come on.
- You don't have the guts-- - Come on!
You don't have the guts to use it.
I don't have the guts. Come on, asshole. Come over here.
Come over here. I'll put this up your ass!
Hey, asshole, this is for you, asshole.
Fuckin' asshole.
You stupid bastard. Were you gonna use that?
I'll fucking, I'll fuckin' kill you, Johnny!
That is fuckin' it!
Big fuckin' man.
[sighs] Alright.
So now you did it.
No bullets in this.
Now you did it.
Get him out of here before this blows up. Go.
Hide the gun, Tony. Throw it away.
Listen, Tony, I, I gotta borrow your car.
We ought to take a ride. We shouldn't be around here now.
Okay.
Don't go driving around. Go to a movie or somethin'.
And this is no good, alright? You know what I mean?
- You understand? - Maybe.
You got what you wanted.
♪ It's really something to see ♪
♪ Lum di lum di lie ♪
♪ This cat named Mickey doing the monkey ♪
♪ Lum di lum di lie ♪
♪ Come on let's do Mickey's monkey children ♪
♪ Let's do Mickey's monkey ♪
♪ Yeah let's do Mickey's monkey children ♪
♪ Let's do Mickey's monkey children ♪
♪ Lum di lum di lie ♪
Get in. Get in the car, John!
♪ Lum di lum di lie ♪
♪ Oh monkey see monkey do ♪♪
[dramatic music]
Virgin.
[grunts]
[laughing]
Teresa, you alright? Yeah.
I'm sorry.
I told ya, I'm sorry.
He's in trouble.
What do you mean trouble? What's going on?
(Charlie) 'Look, Teresa, just trouble, alright?'
'We gotta leave for a few days'
until I get a chance to talk to a couple of people.
I need a couple of bucks to get to Greenwood Lake.
- 'Where are you gonna go?' - To Greenwood Lake.
- I'm coming with you. - 'No, you're not.'
Look, do you want more trouble? I'm comin' with you.
Teresa, I got no time for this.
- So what happened? - Forget it.
Hey, Charlie, I really think we should talk to your uncle.
I mean, don't you think that's the only way?
No!
- Charlie, what happened? - It's alright, Teresa.
- Will you forget about it? - So what are we gonna do?
What are you gonna do? Hide me or what?
That's right.
[sighs]
(Charlie) 'I guess you could safely say that things haven't gone'
'so well tonight.'
But I'm tryin', Lord, I'm tryin'.
[laughs]
What, are you talkin' to yourself?
What?
[song in foreign language]
- Turn on the radio. - Come on, make it louder.
Oh, yeah. Go ahead. Turn on the radio, John, yeah!
We're goin' to a party. How about some fun?
Where are you goin' to? Brooklyn or what?
Hey, why don't you make it louder? Go ahead, yeah!
No, seriously, do you know which way you're going?
Where are we goin', Charlie? You don't know where you're goin'.
We don't know Brooklyn. What's this?
♪ Right you are ♪♪
[rock music]
Is-is, no, is this the right way?
Do I know Brooklyn?
- Yeah, you know Brooklyn. - Do I know the jungle?
- Bing. - Bing.
Watch..
- Watch where you're goin'! - You're crazy!
- I'm crazy. - You're out of your mind.
There was a light there. Didn't you see that light?
- The light was red, right? - Oh.
- Slow down. Will you slow down? - What does red mean?
Teresa, I wish you'd slow down your mouth a little.
How about that?
[tires screeching]
What, is that guy crazy?
Hey, hey, jerk!
Now's the time!
[gunshots]
[screaming]
[gunshots]
(Charlie) 'Get down!'
[screaming]
Johnny! Johnny!
[rock music]
[tire screeching]
(Charlie) 'Get down!'
- 'Get down!' - Aah!
Johnny!
[tire screeching]
[crash]
[indistinct chatter]
[song in foreign language]
[siren wailing]
[song continues]
[upbeat music]
(male #12) 'Goodnight, good luck and God bless you.'
(male #13) 'Thank you! Thank you!'
[male #14 speaking in foreign language]
(male #15) Wonderful job. Thank you very much.
(female #2) I love America.
[speaking in foreign language]
[indistinct chatter]